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Examples of Christian Album Art From the 2000s

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2006 studio album by Brand New

The Devil and God Are Raging Inside Me
Thedevilandgodareraginginsideme.jpg
Studio album past

Make New
Released November 21, 2006
Recorded March 2005 – April 2006
Studio Cove City, Glen Cove, New York;
Long View Farm, North Brookfield, Massachusetts;
Sapone Studios, Bethpage, New York
Genre
  • Alternative rock[1]
  • emo[1]
  • post-hardcore [1]
Length 54:51
Characterization
  • Interscope
  • Tiny Evil
  • Procrastinate! Music Traitors
Producer
  • Mike Sapone
  • Brand New
Brand New chronology
The Holiday EP
(2003) 		The Devil and God Are Raging Within Me
(2006) 		Daisy
(2009)
Singles from
The Devil and God Are Raging Within Me
  1. "Sowing Season"
    Released: November 21, 2006
  2. "Jesus Christ"
    Released: Apr xxx, 2007

The Devil and God Are Raging Inside Me is the tertiary studio anthology by American stone ring Brand New. It was recorded from 2005 to 2006 in studios in Long Island and Massachusetts with producer Mike Sapone, and released on Nov 21, 2006 through Interscope Records, making it their major label debut. The album arose following the online leaking of several unfinished demos that were meant to be early blueprints of the upcoming record. Two singles from the album were released – "Sowing Season" on November 21, 2006, and "Jesus Christ" on Apr 30, 2007. The album peaked at No. 31 on the Billboard 200, becoming the ring's highest-charting record at the time of its release.

The Devil and God Are Raging Inside Me received positive reviews from critics, with many music publications pronouncing it every bit one of the all-time albums of the decade.[2] [3] [4] Its legacy has grown immensely in the years since, and it is now credited as one of the most important and influential albums in the genres of alternative stone, mail service-hardcore and emo past young man musicians, critics and music writers.[v] Considered Brand New'south best piece of work past various sources including the band itself, the album shows the continuing progression and maturity equally lyricists and songwriters by delving into darker subject matters such as existentialism, decease, low and religion.[6] Musically, Make New built off their pop punk origins and added in elements of indie rock, experimental rock and post-hardcore. The band embarked on a tour in 2016 to specifically commemorate the x-year anniversary of the album's release, playing the seminal album in its entirety.[vii]

Background and recording [edit]

In mid-2004 after five years of regular touring and recording as Brand New, they decided to take time off and concentrate on their personal lives and pursuing other projects. At this indicate, the ring had already written and recorded "10 or 11 songs" that they believed would form the next album.[8] In tardily 2005 when the band reunited to keep work on the album they found that the music they were writing was entirely different to the tracks they had previously recorded for the album, leading them to start over.[viii]

"I don't think that in our short recording career we have followed a path. It's whatever comes out at that indicate. A vocal is never pushed into a direction. In ways, I call up this is a record apart from the concluding record, just there are nonetheless certain aspects that they have in mutual. Information technology'due south always surprising to us, as we don't know how it'south going to sound until we've written a few songs."

Jesse Lacey, Brand New lyricist and vocalist, talking about the ring's stylistic progression on their third tape[ix]

When the band reentered the recording studio they began working with producer Dennis Herring in Oxford, Mississippi. Lacey recalled that Herring understood exactly what the ring was trying to practise with the anthology, but due to time constraints and lack of money they instead opted to work with Mike Sapone, with whom they had worked with on their beginning anthology. Sapone acted more as a "5th or 6th bandmember" than as a producer, Lacey recalled, which immune the band the involvement and control over the production that they were looking for, too as allowing the band freedom to exist more experimental.[10] Throughout the writing and recording, Jesse Lacey, Vincent Accardi, Garrett Tierney, Brian Lane and Derrick Sherman were each plagued with death and illness amongst their families and friends. Lacey recalled that each of them had become a picayune too comfortable with the idea of a funeral.[xi]

Recording with Sapone took identify over the winter of 2005 through until the spring of 2006 at Longview Subcontract and later Cove City and Sapone'south studio in the basement of his house.[12]

Alive guitarist Derrick Sherman who had been touring with the band for some time was also nowadays during the recording sessions, contributing parts to all of the album'southward tracks.[13] [14] After the initial scrapped album session from 2004 and leaked demos in 2006, the band had written and recorded effectually forty tracks for the anthology.[xiv]

Every bit the ring's start release on a major label, the band expressed hesitancy and nervousness over their increased fame. In an interview with their street squad, Tierney said his biggest fear was "become[ting] too big", while Lacey's was that he was "scared of the hype" and "scared of people who never heard our band trying to sell it to people who are, you know, breathing it already."[xv]

Leaked demos [edit]

"In one style it was kind of refreshing and motivating to know that people were nevertheless so interested and curious every bit to what we were upward to in that catamenia where we sort of disappeared. But I was too worried that it would derail the process considering the four of us had created a pretty safe place where the only critics were ourselves. As much equally we tried to shield ourselves from letting the leak affect us, it definitely did. There was a feeling of being robbed, after keeping everything and so close to ourselves and then having it heard earlier it was completed."

Brand New guitarist Vincent Accardi speaking virtually the leak of the demos[xvi]

On January 24, 2006, nine untitled demos for the anthology leaked onto the Internet. The ring was disappointed to hear of the leak; nonetheless, they had already been performing new tracks at live shows.

Initially leaked without song titles, two of the songs would be re-recorded for the album, with ii others existence re-recorded and released on singles from the album. Early versions of "Sowing Flavor" and "Luca" (with a possible early title of "Mamas") feature on the demos, with the original recording of the latter seeing official release in the United kingdom of great britain and northern ireland edition of the album as "Luca (Reprisal Version)". "Blood brother'south Song" was reworked as "aloC-acoC" and released on the "Sowing Season" single, while the original demo featured the "Jesus Christ" unmarried nether the title "Brothers". A completed version of "(Fork and Knife)" recorded during The Devil and God Are Raging Within Me sessions was released as a standalone single in 2007.

Music writer Channing Freeman of Sputnikmusic commended the band for their reaction to the leaks, praising them for starting over and recording original tracks that showed more growth and development than the demos. "Information technology was probably the best thing that could accept happened to Brand New," he said, "because it forced them to rewrite the album with an fifty-fifty greater purpose and attention to detail."[17]

Oft referred to by fans as Fight Off Your Demons, the batch of leaked demos were remastered and officially released to the public on December ii, 2015 as Leaked Demos 2006, made available digitally and on cassette.[eighteen] On July 13, 2016, the ring released iii Demos, Reworked, an EP that consisted of re-recorded versions of "Blood brother's Song", "Missing You" and "1996".[19]

Music and influence [edit]

Vocalist and guitarist Jesse Lacey wrote lyrics for all of the anthology's tracks with the exception of "Handcuffs", which was written by Vincent Accardi. The tracks "Degausser" and "Sowing Flavor" were composed spontaneously equally a band, whilst Accardi equanimous the music for "Handcuffs", "Not the Sun" and "Welcome to Bangkok", with Lacey writing the balance.[14]

"I'm getting depressed with all of the anxiety about the album, and they say I write my all-time stuff when I'grand in that state. Great, I'll spend the next half dozen months all depressed and the rest of the band will be excited so that some practiced [material] might come up out. And then I have to contend with how it's received."

Vocalist Jesse Lacey on how his depression impacted the album's writing

Decease and affliction became two of the main themes present on the record. In an interview Lacey commented that the band purposely immersed themselves in the loss of friends and family to channel it into their songwriting and expel it.[11] The liner notes dedicate the album to "Robert Sherman, Cherry Lacey, Leo Lacey, Bill and Virginia Sherman, James McAuliffe, Rosemary Kancelerski, Frances Ambrosio, Manfred Cardone III, Sid Rosen, Seymour Lane, Michelle Lane, George Moe, Alexander Lambros, and Omir Ortega, all of whom left us between the start and completion of the record."[12]

Lyrical content [edit]

Lacey suffered from depression during the writing stage of the album due to anxiety revolving around the high expectations put upon the band post-obit the critical success of Deja Entendu.[xx]

Equally with previous Brand New records, Lacey drew inspiration from popular culture and literature for his lyrics. Lacey likewise wrote about subjects that he would discuss with his friend Kevin Devine, with some of Lacey's lyrics directly responding to questions that Devine would inquire him during writing.[21]

The second verse to opening runway "Sowing Flavour" is inspired past the Rudyard Kipling poem If— whilst the title of "Sowing Season" is a reference from Stephen King'due south novel Hole-and-corner Window, Secret Garden, where the chief grapheme had written a curt story of the same title. The song deals with topics such equally death (as per the notable opening line of the album, "was losing all my friends, was losing them to drinking and to driving") and the desire to better oneself.[22]

"Millstone", track two, is described by Sputnikmusic as being about "not a loss of promise but rather a loss of innocence",[23] citing lines such every bit "I used to pray that God was listening / I used to make my parents proud" every bit examples of such. "Jesus Christ" is about "analyzing crises of faith" in a conversation with God,[24] making references to Biblical figures such as Thomas the Campaigner and Elijah. Its lyrics impact on loneliness, the validity of the afterlife and the struggle to maintain faith, influenced by Lacey's religious upbringing and his attending of the Due south Shore Christian Schoolhouse during his adolescence.[25] The single's artwork pays homage to the album Goat by The Jesus Lizard.[26]

Fourth runway "Degausser" borrows the lyric "Take autonomously the demon, in the cranium to the left" from the Roky Erickson rails "Encarmine Hammer".[27] The song is rumored to be about fellow musician Sherri DuPree of the band Eisley, an ex-girlfriend of Lacey's who rejected his marriage proposal.

5th song on the album "Limousine" is about the expiry of seven-year-old Katie Flynn from the band's hometown of Long Isle.[28] Travelling home with her family unit later a wedding ceremony, their limousine was hit by drunk commuter Martin Heidgen, a few miles from where Lacey was living at the time, leading to the decapitation of the young Flynn, whose severed head fell into her mother'southward artillery.[27] In the rails, Lacey tells the story from various perspectives, including that of Flynn's mother, Heidgen and Flynn herself.[21] [29] Lacey has commented that the story particularly resonated with him equally he knew people who drove drunk the week the blow took place.[27] Producer Mike Sapone had the idea to include samples of explosions in the track, hence the subtitle "MS Rebridge", with MS being Sapone'south initials.[27] At seven minutes and forty-two seconds, information technology remained Brand New'due south longest song until 2017's "Batter Up," which is eight minutes and twenty-eight seconds long. The rail'southward bridge repeats itself seven times as Lacey counts up, ane for each yr of Flynn'southward life.[29] "Limousine" is often cited as Brand New'south greatest song.[29] [30]

Writing for Team Rock, Mischa Pearlman believed the championship and lyrics of "Luca" reference the fictional grapheme Luca Brasi of the 1972 American offense motion-picture show The Godfather.[thirty] "The Archers' Bows Have Broken" is described as being well-nigh people who apply religion for self-serving purposes instead of the intentions of the prophets, including in politics. Its aural traits include "the audio of nihilism and religion converging, and the globe burning down as a result."[30]

Title and artwork [edit]

"The phrase itself was pretty absurd, and reading information technology somewhere else would be striking, so that was what drew me to information technology, only listening back to the album I realised how much it represents placidity and loud, the good and evil, simply it too has a lot to do with faith and some spiritual aspects of the ring."

— Jesse Lacey discussing the anthology's title[21]

The name of the album came from a conversation Jesse Lacey had with a friend regarding Daniel Johnston, a musician who suffered from schizophrenia and bipolar disorder.[21]

The album cover is a picture titled "Untitled #44" from Nicholas Prior's "Historic period of Man" collection which the band saw at an art evidence in New York Metropolis.[31] The outside of the cardboard case contains no song listings, and doesn't comprise the proper noun of the album or the band name anywhere but on the spine. The record company instead placed stickers on the plastic wrapping to bespeak the name of the album and band, and on the UK version to indicate that it had the bonus track.

Release and promotion [edit]

Original release and touring [edit]

In June and July 2006, the band went on their start tour in three years,[32] during which, they debuted "Sowing Season", "Degausser", "Luca", and "(Fork and Knife)".[33] The album was appear September x, 2006.[34] [35] On October 5, the album's title and track listing was revealed.[33] From mid October to early on December, the band went on a U.S. tour alongside Dashboard Confessional.[36] On October xviii, the album's cover art was revealed.[37] Two days later, "Sowing Flavour" was fabricated available for streaming via the band's Myspace account.[38] Throughout October and November the band performed a serial of in-store acoustic gigs.[37] On November 14, "Degausser" was made available for streaming via the band's PureVolume account.[39] The Devil and God Are Raging Inside Me was made bachelor for streaming on November 20,[40] and released a day afterwards through Interscope.[33] The anthology was original planned to exist released on DreamWorks, but the label was folded into Interscope.[32] People that pre-ordered the album received a CD single of "Sowing Season" with the B-side "Coca Cola".[37] People that pre-ordered the album from BestBuy were able to download a video for "--".[41]

In January 2007, the band announced they were in the procedure of making a music video.[41] In Feb, the band went on their get-go Uk tour in three years.[42] After touring and promoting previous tape Déjà Entendu, the band became increasingly reluctant to requite interviews or talk to the press in promotion of the tape.[43] In one of a few exceptions during the UK tour, Lacey discussed that this was due to many journalists and publications misrepresenting and taking quotes out of context to make their interviews more than interesting.[44] Lacey also felt "more than comfy" non having to worry almost photo shoots and music videos and instead simply concentrate on writing and performing music.[45] Few television, radio or online performances were given either. Pb singer Jesse Lacey was interviewed past WFNX on Apr 24, 2007 at the First Act Guitar Studio, Boston equally part of an acoustic operation for VW Green Room that was subsequently made available to download.[27] [46] The track "Jesus Christ" was performed on both NBC's Belatedly Nighttime with Conan O'Brien and the Late Show with David Letterman on CBS.

In March and Apr 2007, the band went on a bout of the U.Due south.[47] "Jesus Christ" was released to radio on March 27.[48] The song peaked at No. 30 on Billboard's Culling Songs chart, beating the No. 37 acme of "The Tranquility Things That No One Ever Knows" to go the band'due south biggest hit on alternative radio.[49] In July and August, Lacey went on a solo tour with Kevin Devine and Grace Read.[50] From mid October to mid December, the ring went on a tour of the U.Southward. with Thrice and MewithoutYou.[51] A music video for "Jesus Christ" directed past Moh Azima was produced; yet, it was never used past the ring. Originally made available in 2009 before being taken down, Azima fabricated the video available to stream on his own website in Jan 2012.[52]

"Archers" was featured in the 2008 racing video game Exhaustion Paradise, and "Sowing Season" was included in the 2009 rhythm music game Guitar Hero 5.[53] A live fancam performances of "Sowing Flavor" from the band'due south bear witness at The University in Newcastle in February 2012 was made bachelor past O2, with another performance from Brasil in July 2014.[54] [55]

Vinyl release and lyric booklets [edit]

Subsequently a July xxx, 2008 solo show, Lacey stated that the long wait for the vinyl release of The Devil and God Are Raging Inside Me was due primarily to the band's failure to secure the rights of Nicholas Prior's photo. Lacey continued on saying that after the band either secured the rights to the picture, or chose an alternating cover, only and so would the album be released on vinyl. The band managed to secure the rights to the prototype by 2010, and released the anthology on vinyl in that aforementioned year.

On January 11, 2010, Brand New announced via their Twitter account that The Devil and God Are Raging Inside Me would exist released as a double vinyl LP set through Procrastinate! Music Traitors and Triple Crown Records.[56] [ non-chief source needed ] This version included a lyric canvass that was not included with the original CD. The vinyl set was made bachelor in stores on March 23, 2010.[57] Another pressing of the anthology was done by Academy Fight Vocal, which went up for pre-order on their website on May 17, 2010. This pressing was released on September 17, 2010.[58] The album was repressed by Music on Vinyl in late 2013.

Upon the album's release, the ring requested in the liner notes for fans to send them $i in the mail to receive a lyric booklet. In Apr 2015 the band began sending out lyric booklets to fans that had sent them $i 9 years previously. The first pressing of the lyric booklets titled Pogolith 000 contained a number of stickers, patches and a poster alluding to the release of the leaked demos from the album.[59] [lx] A second "no thrills" version was later made available at the band's merchandise kiosk at shows and on their website.[61]

Critical reception [edit]

Professional ratings
Amass scores
Source Rating
Metacritic 78/100[62]
Review scores
Source Rating
AllMusic [63]
Alternative Press [64]
Blender [65]
The Boston Phoenix [66]
Entertainment Weekly B−[67]
The Guardian [68]
NME viii/10[69]
Pitchfork viii.5/ten[lxx]
Rolling Stone [71]
Spin [72]

The Devil and God are Raging Within Me received disquisitional acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the anthology received an average score of 78, based on 17 reviews.[62] Critics emphasized the anthology's artistic leap in songwriting from the band'south previous records.[63] [65]

Channing Freeman, a Sputnikmusic staff member, gave the anthology a perfect five stars, firmly declaring "at that place are hundreds of albums to which I am connected in unique ways merely this is the merely one that asks me big questions, expects big answers, and does not hold it confronting me when I come up up with the same onetime pile of bullshit that I e'er practice."[73] Praising "Limousine" as Lacey's best vocal lyrically and a "pinnacle of mod songwriting"[17] along with "Degausser", "Sowing Flavour" and "You Won't Know", Freeman stated that the album "features one of the largest progressions I accept always seen from a band... most bands don't show that sort of growth fifty-fifty once throughout their career, only Brand New have washed it twice."[17]

Writing for AllMusic, Corey Apar called the tape "night and dense, yet accessible, a shadowy air permeating every cleft where Jesse Lacey's plaintive and often tortured lyrics aren't already residing." believing the album would requite them to opportunity to break into the mainstream if they wanted to.[63] Alternative Press highlighted how in that location was not a song on the album that could even exist compared to material from their debut Your Favorite Weapon, whilst but "Non the Sun" and "Archers" bared any resemblance to textile from Déjà Entendu assertive the anthology to be dark, difficult, depressing and desolate, "Devil is the sound of four men striking absolute rock lesser and badly trying to rescue themselves through any means necessary; we as listeners are forced to hear the ring endure as a means to reach catharsis-all presumably for our edification" likening it to Modest Mouse and Radiohead's The Bends.[64] Ben Sisario of Blender proclaimed the album to exist "as creepy as information technology is magnificent" hailing Lacey's power to write songs that "teeter between the gorgeously placid and the exhilaratingly hideous, Lacey leads a bipolar odyssey of blood and guts and desperate prayer".[65] Andrew Blackie of PopMatters praised the anthology, calling it "certainly more mature, putting breakup and cocky-infliction clichés, thankfully, behind them".[74]

Commercial performance [edit]

The album debuted at No. 31 on the Billboard 200,[75] in comparison to the No. 63 debut of their prior album Deja Entendu. It sold 60,000 copies in its first week.[76] It likewise peaked at No. five on Billboard's Digital Albums Chart.[77] A 2014 vinyl repressing of the album led to a No. 10 peak on the August 23, 2014 edition on the Billboard Vinyl Albums nautical chart.[78]

Legacy and influence [edit]

The Devil and God Are Raging Inside Me was Brand New's most critically acclaimed record until the release of "Science Fiction" in 2017 and was frequently considered to be their all-time album. During a 2012 interview, Lacey said the album "saved Brand New", calling it a "course correction" for the ring'south musical path.[79] In 2016, ten years subsequently its release, Lacey mentioned this album as a peculiarly important work for the band, and one that they "notwithstanding use as a measuring mail with which we compare the music we brand now".[eighty]

It was rated the best album of 2006 by Punknews[four] and placed at number 74 in NME's listing of the one-hundred best albums of the 2000s.[2] Sputnikmusic's ranked the album No. 20 on their list of the Top 100 All-time Albums of the 2000s, as voted by staff members,[3] and it was ranked at number 16 in Kerrang! 's "50 Albums You Need to Hear Before You lot Die" list.[81]

The tenth anniversary of The Devil and God Are Raging Inside Me spawned several discussions regarding the album's legacy on Brand New, on the genres of post-hardcore, indie rock and emo, and on music as a whole. In a retrospective review, Ian Cohen of Pitchfork said that "by leaving his words and intentions up to interpretation, Lacey unwittingly shifted from a minor glory to a generational vox", giving the album an 8.five out of ten and comparing it to other critically acclaimed indie rock records of the 2000s such as Kid A and The Moon & Antarctica.[26] Nina Corcoran of Consequence of Audio credited Make New for "cease[ing] the need to feel ashamed for connecting to emo", noting that the anthology'south influence "altered the path of emo and alternative rock bands at large, blurred genre lines and bolded something beyond the ring."[82] In an article titled "The Immortality of Brand New's 'The Devil and God Are Raging Inside Me'", Vice staff writer Ryan Bassil alleged "past cutting to the cadre of the darkest elements of the man experience, never answering any questions, but presenting the feeling within them, it is a record that has the power to abound with the listener, gaining more and more than significance as life goes on."[83] Matt Tolander of Medium stated that the album is "one of the most gripping and spiritually honest recordings ever put to tape, more appropriately compared to The Joshua Tree or Ho-hum Railroad train Coming than Tell All Your Friends or Bleed American."[84]

Beau musicians also commented on the anthology'due south influence and legacy. Bout mate and friend of the band Kevin Devine reflected on the first time he heard the track "Jesus Christ", praising information technology as "the best song [Make New] had always written... emotionally, educationally, intellectually, structurally, in every way".[82] Labeling "Degausser" and "You Won't Know" every bit other album highlights, Devine referred to the bridge of "Not the Sun" as "[his] favorite minute of music in their catalog" and the album's legacy as "The Dark Side of the Moon simply for emo", a comparing that he did non wait upon commencement mind.[82] Andy Hull, frontman of American indie rock ring Manchester Orchestra, complimented Lacey on beingness "a very clever songwriter", while guitarist Mike Weiss of mewithoutYou compared the influence of The Devil and God Are Raging Inside Me to that of Nirvana'southward Nevermind in how information technology "acted every bit sort of a pioneering watermark for musical genres that existed in our country", noting how information technology "broke the barrier [and]... destroyed that entire limitation, that boundary – and that is the importance of this record."[82]

Geoff Rickly, the pb singer of Thursday, recalled how the album musically dwarfed the textile his ring was making at the same time. "I listened to Devil and God, and I remember near halfway through the third song maybe or fourth song, it simply sorta sank on me like a ton of bricks that like, I thought our record [A City by the Light Divided] was a fairly radical change and I was pretty proud of it, and and so I heard this absolute masterpiece that was totally different. Basically I was simply crushed at how skillful that tape was."[85]

The album'south cover art, "Untitled #44" by Nicholas Prior, has been regarded as "iconic".[86] The young girl depicted in the prototype, four years old when the moving picture was taken, was seventeen at the time of the record's tenth anniversary. When discussing her opinions on being the subject of such a notable prototype, Prior answered, "She's seen her likeness in stores, on T-shirts and tattooed on people'south artillery... while it's e'er meant something positive to her, I recall the significance of it grows and evolves and she does."[86] In a text to Prior, the daughter replied, "The album fine art contributes a lot to the music'southward meaning, so by simply beingness in the photo, I feel similar I'm contributing to an emotion felt past [their] fans. I consider myself a small office of the vehicle to aid people learn more almost themselves and what they honey, which is a real honor."[86]

In August 2016, Make New announced that they would be touring the United states in the autumn with Modernistic Baseball game and The Front Bottoms equally supporting acts, playing smaller cities and venues that were not covered on the band'due south summer tour with Modest Mouse.[87] A month subsequently, every bit the band postponed the release of their unreleased fifth anthology from 2016 to 2017, they appear that they would be playing the entirety of The Devil and God Are Raging Inside Me on the tour, honoring the 10th ceremony of their nigh of import album.[88]

Rail listing [edit]

All lyrics are written by Jesse Lacey; all music is composed past Lacey, except where noted.

No. Championship Lyrics Music Length
1. "Sowing Season" Vin Accardi, Lacey iv:31
2. "Millstone" iv:16
three. "Jesus Christ" 5:18
4. "Degausser" Accardi, Lacey, Brian Lane, Garrett Tierney 5:32
5. "Limousine" 7:42
six. "You Won't Know" 5:42
7. "Welcome to Bangkok" Accardi three:05
8. "Not the Dominicus" Accardi, Lacey three:09
nine. "Luca" 5:08
10. "–" two:04
11. "The Archers' Bows Accept Broken" 4:14
12. "Handcuffs" Accardi Accardi 4:10
UK bonus runway
No. Championship Length
13. "Luca" (Reprisal Version) 4:02

Notation: Certain copies of the album refer to track ane equally "Sowing Season (Yep)", track iii every bit "Jesus", track 5 as "Limousine (MS Rebridge)" and track 11 as "Archers".[89]

Personnel [edit]

Charts [edit]

Release history [edit]

Country Engagement Label Format Catalog #
United Kingdom November 20, 2006 Interscope/Tiny Evil CD (with bonus track) 602517174528
United States November 21, 2006 CD B0008034-02
March 23, 2010 Procrastinate! Music Traitors/
Triple Crown/Interscope/Tiny Evil 		double LP 3099-i
September 17, 2010 Academy Fight Song double LP B0013946-01

References [edit]

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  12. ^ a b The Devil and God Are Raging Within Me (Liner notes). Brand New. Interscope Records. 2006. 30991. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
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External links [edit]

  • The Devil and God Are Raging Inside Me at YouTube (streamed copy where licensed)
  • The Devil and God Are Raging Within Me at Discogs (list of releases)

adamsthairstur1996.blogspot.com

Source: https://en.wikipedia.org/wiki/The_Devil_and_God_Are_Raging_Inside_Me

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